Head Without a Face No. 20
Artistic Description of the Head
This head features a cap marked with a luxury logo, contrasting sharply with the roughness and fragility of the terracotta. The face is barely sculpted, scratched with uncertain lines. The presence of the tattered textile reinforces the discrepancy between the promise of prestige and the harshness of the raw material.
Artistic Description of the Collection
In 100 Heads Without Faces, this work denounces the illusion of brands and luxury, reduced to an empty symbol on a fragile surface. It highlights the contrast between social image and material reality.
Symbolism
The “D&G” logo, a symbol of wealth and globalized fashion, becomes here an object of irony and critique: prestige is ephemeral, and identity cannot be reduced to a brand. The terracotta, however, remains, reminding us of the fragility of humanity behind the artifice.
A Sculpted Memory, a Universal Story
The “100 Heads WITHOUT Faces” collection brings together one hundred unique sculptures, handcrafted from terracotta and rusted metal. These works embody the invisible faces of our collective history: undocumented migrants drowned at sea, victims of slavery, those forgotten in genocides, the anonymous whose memories are fading.
Each of these heads, deliberately devoid of features, symbolizes a life, a past, a story suspended in time. Faceless, they become the silent bearers of individual and collective memories, inviting us to reflect on our shared humanity.
Through this series, the artist invites us to acknowledge these erased lives and to rebuild bridges between the past and the future. “I open the graves of the undocumented migrants who drown in the seas and in the deserts, I denounce the macabre sounds of the cannons of war…”, he affirms, thus expressing the emotional and political power of this work.
“100 Heads WITHOUT Faces” is much more than an art collection: it is a sculptural archive, a call to remembrance, to dialogue, and to a better understanding of our common roots.
Passionate about collective memory and questions of identity, the artist works with clay and metal to give form to what is often invisible or forgotten. Through the series “100 Heads Without Faces,” he offers a space for reflection and dialogue on the wounds of the past and the hopes for a more just future.
