Head Without a Face No. 040
Artistic Description of the Head
This head appears frozen in an earthy material, as if it had been torn from a fossil layer. The cracks, crevices, and rough surfaces inscribe an ancient memory onto the surface, recalling both scars and imprints of a buried world. The face is merely a shadow, almost erased, submerged in the mineral roughness.
Artistic Description of the Collection
In 100 Heads Without Faces, this piece illustrates the idea of imprint and disappearance. It conveys the fragility of human memory and the way in which time covers, distorts, and fossilizes faces.
Symbolism
Fossilized Memory embodies time as an invisible sculptor. It symbolizes the persistence of traces, wounds, and buried narratives, reminding us that even in erasure, something remains inscribed in the material.
A Sculpted Memory, a Universal Story
The “100 Heads WITHOUT Faces” collection brings together one hundred unique sculptures, handcrafted from terracotta and rusted metal. These works embody the invisible faces of our collective history: undocumented migrants drowned at sea, victims of slavery, those forgotten in genocides, the anonymous whose memories are fading.
Each of these heads, deliberately devoid of features, symbolizes a life, a past, a story suspended in time. Faceless, they become the silent bearers of individual and collective memories, inviting us to reflect on our shared humanity.
Through this series, the artist invites us to acknowledge these erased lives and to rebuild bridges between the past and the future. “I open the graves of the undocumented migrants who drown in the seas and in the deserts, I denounce the macabre sounds of the cannons of war…”, he affirms, thus expressing the emotional and political power of this work.
“100 Heads WITHOUT Faces” is much more than an art collection: it is a sculptural archive, a call to remembrance, to dialogue, and to a better understanding of our common roots.
Passionate about collective memory and questions of identity, the artist works with clay and metal to give form to what is often invisible or forgotten. Through the series “100 Heads Without Faces,” he offers a space for reflection and dialogue on the wounds of the past and the hopes for a more just future.
